From the great furniture maisons and their workshops to the architects and designers shaping exceptional homes: the people, collections, and ideas defining contemporary luxury design.
Boulevard goes behind the scenes with the creative directors, architects, and designers responsible for some of the world’s most distinctive furniture and interiors. Through in-depth interviews, exclusive photography and film, and visits to private residences and international design events, we explore their creative processes, influences, and latest projects.
Our coverage also considers the wider direction of luxury design—from evolving tastes and expectations to innovations in materials, craftsmanship, and production. Drawing on conversations with industry leaders and the work of established and emerging talents, we examine the ideas and developments influencing how exceptional homes are conceived, furnished, and experienced.
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The state of luxury design
The conversations with leading designers and furniture houses point to a useful tension. A collection needs to feel contemporary, but the pieces that matter often outlast the moment that produced them. Cassina CEO Luca Fuso is candid about the commercial contradiction: “we’d sell more if our pieces went out of fashion.” For his house, the ambition is precisely the opposite—to make work that remains in a home for generations.
That doesn’t mean retreating into safe, anonymous design. Patrizia Moroso describes an instinct to make things that haven’t existed before, while Paolo Bestetti of Baxter speaks of moving just beyond the comfort zone, inviting people to experience something different. Their approaches leave room for surprise, personality, and experiment. Endurance needn’t mean restraint.
In architecture and interiors, a related question concerns what remains after the first impression. Glenn Pushelberg has spoken about the appetite among his most discerning clients for spaces that feel less “designed” and more “distilled”. His point is practical as much as aesthetic: privacy, intimacy, ease, and the pleasure of returning to a place. A room may photograph beautifully, but its real test begins when somebody lives in it.
Across furniture, interiors, and architecture, the interesting work lies in that negotiation—between novelty and permanence, expressive form and daily life, the individual piece and the whole space. It’s a richer conversation than the arrival of the next collection, and one that runs through the interviews and projects gathered here.
Read in full
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View from the top
“We don’t think about marketing, or demand. We just try to do things that didn’t exist before.”
Patrizia Moroso, creative director, Moroso
Read the interview with Patrizia Moroso
“Of course, that’s not ideal for us in terms of sales—we’d sell more if our pieces went out of fashion. But we believe it’s more important for a design to be timeless, to remain part of the home for a long time, and to be passed down through generations.”
Luca Fuso, CEO, Cassina
Read the interview with Luca Fuso
“At the ultimate luxury level, people want spaces that feel less ‘designed’ and more ‘distilled’.”
Glenn Pushelberg, co-founder, Yabu Pushelberg
Read the interview with Glenn Pushelberg